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Bunty Aur
Babli Music
Review
This is what one may call a dream project. A
production house (Yash Raj Films) that is on a
roll for over a year now with three super hits
in a row - Hum Tum, Dhoom and Veer- Zaara. A
queen of hearts (Rani Mukherjee) who is now
sitting firmly on the queen's throan after
garnering immense appreciation in Yuva, Hum Tum,
Veer-Zaara and Black. A cool dude (Abhishek
Bachchan) who can finally say he has arrived
after Yuva, Dhoom, Phir Milenge and Naach. A
director (Shaad Ali Sahgal) who brought
celluloid romance alive on screen with his debut
film 'Saathiya'. A musical team that boasts of
Gulzar saab and Shankar-Ehsaan-Loy.
With a superb team like this, one is rest
assured that the project cannot fail. To add to
that, this racy comedy feel-good flick 'Bunty
Aur Babli also boasts of Amitabh Bachchan as a
cop on a trail after the thugs (Bunty and Babli)
with Aishwarya Rai being a surprise element in a
song'dance sequence. The promos have created a
rage already promising 'a smile a minute' while
the vibrant colors give the movie an
'earthy-interior' look that gels well with the
small town setting of the movie.
Small town feel is what one senses at the very
onset of the opening track 'Dhadak
Dhadak '. Simple lyrics woven together
intelligently with grace distinguishes Gulzar
saab from other lyricists. After 'Dhanno Ki
Aankhon Mein' (Kitaab) and 'Chayya Chayya' (Dil
Se), 'Dhadak Dhadak' is another number revolving
around a journey on a train. A story of a boy
and a girl looking forward to a life full of
adventure and fun as they move out of their
down-to-earth upbringing, 'Dhadak Dhadak' by
Udit Narayan, Sunidhi Chauhan and Nihira Joshi
is an interesting composition that should be
making an appearance at the very beginning of
the film.
Sonu Nigam and Mahalaxmi Iyer come together for
a romantic duet that carries with it the SEL
style of subtle music. With an effective usage
of Indian instruments, it is rich in melody
while the lyrics are again different from
ordinary. A good number to listen to, it is not
one of those numbers that is instantly catchy
with everyone in the town humming it around. It
is to the credit of the composers that they play
around with the words to come up with an
ear-pleasing tune.
From hereon Shankar Mahadevan is a part of all
the four numbers in the capacity of a singer as
well. In 'Nach Baliye' , he
pairs up with Somya Raoh and Loy Mendonsa for
this predominantly Punjabi-Hindi track with a
Western base. A situational fun track, it is of
a kind, which if supported by a colorful
cinematography and pulsating choreography can do
wonders. Not an 'out-of-ordinary' number by any
means, now it all depends upon how the director
presents and places this song during the movie.
Title song makes an appearance
at this moment with the coming together of
Sukhwinder Singh, Shankar Mahadevan, Jaspinder
Narula and Siddharth Mahadevan. A foot tapping
number depicting the escapades of the lead
protagonists Bunty and Babli while they are
painting the town red with their looting spree,
it should be fun on the screen. Also due to the
theme of the song, it should be making
intermittent appearances throughout the movie as
per the situations.
Rapper Blaaze writes and sings for yet another
title number 'B N B' that gets
your neck in motion as soon as you through with
the first 30 seconds. With Shankar and Loy
chipping in their bit, this English number seems
to be a promotional track that should guarantee
immense craze for the movie if unleashed a
couple of weeks before the movie's release. With
a catchy rhythm accompanying Blaaze's rendition
throughout, it should be a unique experience for
the Bollywood followers who would freak out on
this zippy track. Alisha Chinai begins the mujra/nautanki
number 'Kajrare ' that is bound
to be a yet another fun number in the movie
while B and B are out for yet another loot.
Shankar Mahadevan and Javed Ali lend fine
support to Alisha who is a revelation as a
singer with this genre. Again not a number that
you would hum around but enjoy while it runs on
the screen.
'Bunty Aur Babli' does not contain your routine
Yash Chopra genre of music that are
choreographed around the meadows and Swiss alps.
They are more of situational rhythmic tracks
that take a story forward. Yes, there are 2-3
tracks that are get on you with the word GO -
like the title song and
'Dhadak Dhadak' . The album will show
good sales for the next few days and then
stabilize after the initial euphoria associated
with a Yash Raj flm's music is through. After
then, depending upon the picturisation and
placement of the songs in the movie, the sales
may pick up again after the movie's release.
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