Hum Ko Tum Se
Pyaar Hai Movie
Review
You actually saunter into the screening of HUMKO
TUMSE PYAAR HAI with zilch expectations. With a
not too viable star cast on one hand and the
long period it took to hit the screens on the
other, HUMKO TUMSE PYAAR HAI lacks the magnetic
drive to attract moviegoers, you feel.
But, sometimes, certain films take you by
complete surprise. HUMKO TUMSE PYAAR HAI is one
of them. Also, thankfully, the delay in its
making doesn't reflect on the final product.
Let's face it, HUMKO TUMSE PYAAR HAI is no
classic. Nor does it swim against the tide. It's
no foolproof entertainer either. Yet, the
goings-on compel you to train your eyes at the
screen, especially towards the second hour.
HUMKO TUMSE PYAAR HAI is a vintage love story.
It has that old-world charm that worked in the
1970s and 1980s. You can guess what's in store
next, but the execution of the material [Bunty
Soorma, Vikram Bhatt] is absorbing most of the
times, with certain dramatic moments making you
forget the deficiencies.
To sum up, HUMKO TUMSE PYAAR HAI isn't
path-breaking in any way, but it delivers what
you expect from a love story. Only thing -- this
is important -- the viewer of today isn't gung
ho about conventional subjects. That could prove
a major deterrent!
HUMKO TUMSE PYAAR HAI begins in a village in
Rajasthan, where a blind girl called Durga [Amisha
Patel] lives with her mother [Suhasini Mulay].
Despite Durga being blind, she makes beautiful
clay statues, a skill she learnt from her late
father. Durga meets Rohit [Arjun Rampal], who is
impressed by Durga's art and beauty and they
fall in love.
A village goon named Rana [Parmeet Sethi] takes
advantage of Durga's handicap and attempts to
rape her. Luckily, the mother comes to her
rescue. Rana learns of Rohit and decides to
eliminate him. But the mother shields Rohit and
dies in the process. Rana is arrested.
Rohit takes Durga to an eye hospital, where Dr.
R.K. Prasad [Kanwaljeet] operates upon her eyes.
The operation proves a success, but before the
bandage is taken off from Durga's eyes, Rana and
his cronies try to kill Rohit and in the ensuing
fight, both Rana and Rohit die.
When Durga learns about Rohit's death, she tries
to commit suicide, but is saved by Dr. Prasad.
Durga relates her story to Dr. Prasad, who now
considers her to be his daughter. Dr. Prasad and
Durga move to Switzerland for a change. Durga
meets Raj [Bobby Deol], a business tycoon, and
in their first meeting itself, Raj falls in love
with Durga. Raj tries to get close to Durga, but
she gets irritated by his behavior.
Raj takes Durga to his house and shows her
Rohit's photographs. He tells her that even he
is suffering the loss of his best friend. Dr.
Prasad convinces Durga that Raj is the right guy
for her and that he wants to see her married.
Durga agrees to marry Raj and the family [Anang
Desai, Beena, Vivek Shauq] prepares for the
wedding.
During the engagement ceremony, Raj gets a phone
call informing him that his childhood friend,
Rohit, is still alive. Raj brings Rohit home and
introduces him to Durga. Rohit is stunned to see
Durga there, but Durga does not recognize him as
she has never seen him.
Been there, done that -- the maxim suits HUMKO
TUMSE PYAAR HAI like a glove. The story [Bunty
Soorma] has an old-world charm. Right from
SANGAM to SAAJAN to HUMKO TUMSE PYAAR HAI, Hindi
cinema has witnessed similar stories in the past
[two guys in love with the same girl]. If the
basic premise is a handicap, the development of
the story [screenplay: Ashok Roy] and direction
are interesting, at times.
The story takes off in a routine manner: Boy
meets girl, its love at first sight for the guy,
there are obstacles [villain: Parmeet Sethi],
they overcome that as well, everything is hunky
dory… and then catastrophe strikes.
If the first hour of HUMKO TUMSE PYAAR HAI is
strictly okay, it's the latter half that works
to the advantage of the film. With Bobby making
an entry at the intermission point, the second
hour is devoted to the three characters facing a
storm in their lives.
A number of sequences catch your attention.
Amisha's feelings for Bobby have been depicted
convincingly. The re-emergence of Arjun during
the engagement ceremony is a highpoint. The
sequence thereafter, when Amisha hears Arjun's
voice, is again well tackled.
But the climax acts as a complete spoilt sport.
Just when you were actually enjoying the ride,
you realize that the vehicle just ran out of gas
at this juncture. One question that comes to
your mind is, why this clichéd ending? Of
course, you want the lady to choose her lover,
but it could've been done in a far more
refreshing manner. Besides, the narrative tends
to slow down a bit in the latter reels.
Considering that HUMKO TUMSE PYAAR HAI started
off as someone's vision [Bunty Soorma] and has
been given the eventual shape by another
storyteller [Vikram Bhatt], the film doesn't
look patchy at all. Music [Anand Raaj Anand] is
easy on the ears. The title track, 'Chori Se Dil
Ko' and 'Dhola Aayo Re' are better compositions
nevertheless. Cinematography [Nirmal Jani] is
appealing. The Swiss locales as well as the
lavish look that the film boasts of give the
film a visually striking look. Dialogues [Javed
Siddiqui] are mediocre.
Bobby Deol is only getting better as an actor.
He manages to register an impact in a film that
belongs to Amisha and Arjun primarily. Arjun is
awkward at places [initial portions], but gets
into the rhythm subsequently. The emotional
sequences in the second half clearly indicate
that he's come a long way. Amisha ought to
control her voice when she screams [it gets
screechy]. However, her performance varies from
average to decent. Kanwaljeet is efficient.
Suhasini Mulay and Parmeet Sethi are adequate.
Achint Kaur doesn't get any scope. Ditto for
Vivek Shauq, Beena and Anang Desai.
On the whole, HUMKO TUMSE PYAAR HAI is a decent
entertainer, but there are two major factors
that go against it: Lack of hype and a not too
happening star cast. At the box-office, a strong
word of mouth from ladies should help to an
extent. Business in the Hindi belt should also
be better.
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