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Munna
Bhai M.B.B.S Movie
Review
The year 2003 has witnessed several new
directors enter the fray. Coincidentally, the
two releases of this week are also directed by
first-timers. A few names left an impression,
some made a hasty exit.
Editor Rajkumar Hirani, who makes his bow as a
director with MUNNABHAI M.B.B.S., handles a
complex subject in his debut vehicle. A wacko
theme, the flick offers laughter in abundance,
has moments that melt your heart and bring a
tear in your eye, plus propagates a message –
love can overcome all sorrows.
That's precisely why MUNNABHAI M.B.B.S. works!
Munnabhai [Sanjay Dutt] lives with his gang in
the bylanes of a dhobi ghat in Mumbai,
takes pride in being a 'social worker' [they
actually settle 'financial disputes' through
dadagiri] and enjoys his booze, babes,
brawls…
Munna's father, Hari Prasad Sharma [Sunil Dutt],
an upright, moralistic man, believes that his
son is actually a doctor running a charity
hospital. Every year, when his parents arrive,
Munna and his gang bathe, shave, don white coats
and stethoscopes and pretend to be diligent
doctors.
But the clever charade falls apart. Hari Prasad
Sharma runs into an old friend, Dr. Asthana [Boman
Irani], who has a daughter called Suman [Gracy
Singh]. The two decide that their children, both
doctors, would make a perfect match. Munna tries
hard to save the situation, but his father
discovers the truth. And all hell breaks loose.
Hari Prasad Sharma, now broken by the truth,
removes his white spotless pagdi and
cries. Munnabhai then takes a decision that
would change many lives – he decides to become a
doctor…
Loosely inspired by the 1998 flick PATCH ADAMS
[starring Robin Williams, directed by Tom
Shadyac], MUNNABHAI M.B.B.S. succeeds largely
due to a clever screenplay, fantastic
performances and most importantly, the strong
emotional quotient it has to offer.
Making people laugh is indeed the most arduous
task, but MUNNABHAI M.B.B.S. assures smiles and
laughter aplenty from scene A to Z. A feel-good
fare, the story takes you on a journey that's
rarely been depicted on Hindi screen before.
From the writing point of view, MUNNABHAI
M.B.B.S. has several highpoints –
.
The sequence
when Boman Irani exposes Sanjay Dutt in front of
his parents, Sunil Dutt and Rohini Hattangadi,
is skilfully executed.
.
The Jimmy Shergill
track [second half] is amongst the best parts of
this enterprise.
.
The game of carrom
in the hospital, when an ailing elderly man
picks up courage to play the game, is bound to
move one and all.
.
The sequences
between Sanjay Dutt and Arshad Warsi all through
the film are thoroughly entertaining. The
camaraderie is simply fantastic.
However, the film offers very Mumbaiya kind of
humour. It would be interesting to observe the
kind of response it may garner in other parts of
the country.
The pace of the film drops slightly towards the
second half. The film can do without the
romantic track, 'Chhan Chhan' [filmed on Sanjay
and Gracy]. Besides this song, the film ought to
be trimmed by at least 10 minutes to make the
goings-on crisper.
Yet, MUNNABHAI M.B.B.S. is worth watching for
the tender moments it has to offer. Moments that
you carry home after the show has ended.
Rajkumar Hirani's strength lies in the fact that
he has extracted wonderful performances from
just about everyone in the film, not just from
the principal cast. If he deserves 5 out of 5
for this very reason, he loses a point as an
editor. As mentioned above, the film needs to be
trimmed by at least 10 minutes – that would only
work to the film's advantage.
The screenplay [Rajkumar Hirani, Lajan Joseph
and Vidhu Vinod Chopra] could've been tighter.
The film has engaging moments in abundance, but
the goings-on could've been concise towards the
second half.
Dialogues [Abbas Tyrewala] are commendable,
especially the ones delivered by Sanjay Dutt and
Arshad Warsi. The witty one-liners and the
tapori lingo should go down well with the
masses. Cinematography [Binod Pradhan] is
flawless.
If VAASTAV was a turning point in Sanjay Dutt's
fluctuating career, another film that will make
people sit up and notice his talent is MUNNABHAI
M.B.B.S. Known as an 'action man' all through
his career, the actor proves with this
performance that he can carry off a
light-hearted flick firmly on his shoulders. He
is lovable as a bhai, aspiring to be a doctor
and equally impactful towards the end when death
snatches away one of the patients [Jimmy
Shergill]. A knock-out performance undoubtedly!
Sunil Dutt is such a pleasure to watch after a
hiatus. The small but significant role remains
etched due to this veteran's expert portrayal.
In fact, this is the second time the father and
son have starred in a film [J.P. Dutta's
KSHATRIYA was the first!] and the moments they
share on screen look straight out of life,
especially the hug [jadoo ki jhappi] in
the climax. Gracy Singh is first-rate,
delivering a controlled performance. The actress
is getting better with every release.
Jimmy Shergill is excellent. The sequence when
he learns that he is suffering from a killer
disease and his outburst thereafter proves that
the actor is capable of so much more, provided
he is offered the right kind of roles.
Arshad Warsi is outstanding, complimenting
Sanjay Dutt at every step. Though he doesn't
have lengthy dialogues to deliver, his sheer
presence, his expressions all through and the
mannerisms will win him plaudits from one and
all.
Boman Irani is fabulous. The film offers him
ample scope to display histrionics and he makes
the most of it by doing full justice to it.
Rohini Hattangadi lends adequate support.
On the whole, MUNNABHAI M.B.B.S. is amongst the
best movies churned out from Bollywood in the
recent times. At the box-office, the emotions
interlaced with light moments should ensure a
victorious run for the film. Business in Mumbai
territory should prove to be the best.
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