Phir Hera
Pheri Music
Review
Ramshastra, Kartoos, Hera Pheri, Awara Paagal
Deewana, Aan - Men At Work and Deewane Huye
Paagal - What's common between all these
films? Producer Firoz Nadiadwala, who has always
believed in giving his directors a larger than
life canvas! What's the other common factor?
Music director Anu Malik, who has more often
than not given the kind of music that a
Nadiadwala film warrants! But with 'Phir Hera
Pheri', there is a slight shift in plan as
composer Anu Malik is replaced by current
numero-uno Himesh Reshammiya to come up with the
film's music. No wonder, it doesn't come as a
surprise to see as many as 3 tracks sung by
Reshammiya himself as Akbar Sami churns out a
remix for each of the 6 tracks in the film.
Also, when there is Reshammiya, lyricist Sameer
is bound to be the one doing all the writing and
same happens in case of this 'Hera Pheri'
sequel that stars the usual suspects Akshay
Kumar, Suneil Shetty and Paresh Rawal along with
Bipasha Basu and Rimmi Sen.
On you mark. Get. Set. And Go! Welcome
Reshammiya who goes hip hop this time for 'Yaad
Sataye Teri' and guess what, delivers in
this genre as well! A smooth sailing number set
at a decent pace, it gets your neck in motion as
you hear a Reshammiya number for an umpteenth
time in the course of your normal day. If you
have loved Himesh compositions of last six
months, you are certainly going to enjoy this
one too. As expected, DJ Akbar Sami's added zing
further spices up the song that moves at a much
faster pace in its remix version and
rocks the show in a big way. Not surprisingly,
it turns out to be much more entertaining and
makes this hip-hop number into a full fledged
dance number. Enjoy!
Reshammiya singing 'Ae Meri Zohrajabeen'?
Is that really possible? Well, don't rub your
eyes in disbelief as that's what exactly happens
when Sameer comes up with his own lines while
keeping the opening words intact from the
classic track in 'Waqt'. The song is
rendered in a high pitch by Reshammiya as he
composes this rhythmic dance track that has all
it takes to be yet another hit for him. Musical
arrangements are made of an excellent fusion of
Western and Indian instruments that give an edge
to this song that has potential to be popular. A
spiced up number that makes you look forward to
the high-on-energy remix by DJ Akbar Sami,
one wonders why was this song not chosen over 'Mujhko
Yaad Sataye Teri' for the kick start of the
album's promotion?
Tulsi Kumar, who has already given a couple of
hits with Reshammiya ['Mohabbat Ki' -Aksar,
Title song - 'Humko Deewana Kar Gaye']
arrives with Reshammiya for the first duet of
the album 'Dil Nayyiyo Maane Re'. Purists
may have all the reasons to say that the song is
in the same style as numerous other Reshammiya
numbers but his fans certainly won't be
complaining as he delivers exactly what he
promises and what his fans expect! The song is
in succession to the numerous love songs
composed by him in 'Aashiq Banaya Aapne',
'Aksar' and 'Aap Ka Surroor' and 'Dil Nayyiyo
Maane Re' continues to keep his flag high.
Starting off with high pitch, for certain
unexplained reasons, he suddenly knocks on the
Bappi Lahiri territory at places, that makes you
wonder if that was really required.
Nevertheless, Tulsi Kumar, who gives good
company to Reshammiya, can be rest assured that
her work won't go unnoticed as the song is one
of those kinds that should keep the music
channels busy, both in the original and Sami's
zingy remixed version!
Sonu Nigam, Shaan and Rakesh Upadhyay get
together for the theme song 'Phir Hera Pheri'
that it interspersed with the tinkling sound of
coins. A fast paced fun song that is about the
three prime protagonists in the film who lust
after money and can do some 'hera pheri'
again to get more of it, it is situational and
should have some of its parts appearing as a
part of film's background score or some critical
junctures in the film. Also, expect a grand
choreography for the song in true Nadiadwala
style.
Anyone who follows English music would be able
to relate to the beginning of 'Dil De Diya'
where Sunidhi Chauhan's crooning is a clear lift
from a popular western track. Kunal Ganjawala
joins her in this love duet that has a melody of
the mid/late 90s and in fact sounds more like a
Anu Malik track than Himesh Reshammiya's. There
is a bit of rap-n-reggae too [that is rather
unnecessary] but overall the song still manages
to pass muster. Both Kunal and Sunidhi sing in a
high pitch here and it’s their spirited
rendering that helps the number go on smoothly,
though there is nothing new in the song to talk
home about. One factor that may not make the
song noticeable if the choreography is done in a
lavish and eye candy manner.
The title itself of Sunidhi Chauhan's 'Pyaar
Ki Chatni' suggests to be made for the
gallery as the opening shifts from a 'bhajan'
setting to 'dhinchaak' beats a la the
signature beats of Laxmikant Pyaarelal's '1 2
Ka 4' from 'Ram Lakhan'. A song that
seems to be designed as a 'nautanki'
number, it turns out to be exactly as one
expected, i.e. aimed at a specific gentry. Watch
out for the lyrical gems that go as:
"Dil Ke Pudine Ka Ras Tapka De, Thodi Si
Chaahat Ki Mirchi Milade;
Madhoshiyon Ki Ilaychi Girake, Tu Narm Ungli Se
Mujhko Chakhade'
A situational item song picturized on Dia Mirza,
it can easily be given an easy skip and best
forgotten once the album is over, be it in the
original or the remixed version that has
an overdose of the word 'chatni'
interspersed throughout the song.
'Phir Hera Pheri' has 3 foot tapping
numbers; all sung by Himesh Reshammiya ['Mujhko
Yaad Sataye Teri', 'Ae Meri Zohrajabeen' and
'Dil Nayyiyo Maane Re'], a couple of
average tracks ['Dil De Diya', title
song] and an apology of a song 'Pyaar Ki
Chatni'. If you have already become a Himesh
Reshammiya worshipper by now, then the first
three songs (along with their remixed versions
by DJ Akbar Sami] should be good enough reasons
for you to enjoy the album of 'Phir Hera
Pheri' for a few weeks to come. But a super
success like 'Aksar', 'Aap Ka Surroor', '36
China Town' or a 'Tom Dick and Harry'
is ruled out.
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