Shart
Movie
Review
A love triangle, SHART is a remake of the Telugu
blockbuster BADRI. However, the story may have
appealed to the South audiences, but when remade
in Hindi, it holds scant novelty purely because
there has been an overdose of love triangles in
Bollywood and one more triangle, which lacks in
face value, is an absolute no-no.
Karan [Tusshar Kapoor] has a habit of involving
himself in all types of challenges. While Karan
and Sonam [Gracy Singh] go about singing and
dancing, there comes a moment when an argument
develops between them regarding love. Sonam
believes in love at first sight while Karan
opposes that theory vehemently, stating that
love at first sight is nothing but mere
infatuation.
Sonam challenges Karan to befriend and propose a
girl of her choice. If he succeeds in doing so,
she will accept defeat and present Karan with a
gift, which he has to accept. Karan accepts the
challenge. Just then a beautiful girl steps down
the temple stairs. Sonam points at her as the
target for their challenge. The girl is none
other than Sarayu [Amrita Arora].
Adopting different methods, Karan ultimately
strikes a chord of friendship with Sarayu. One
day, Sarayu’s brother Nanda sees them together.
Nanda and his goons simply thrash people black
and blue if they dare to cast an evil eye on
Sarayu. He goes to Karan’s office along with his
henchmen. After a scuffle, Nanda warns Karan to
stay away from his sister.
Seeing the rough behavior of Nanda and his gang,
Sonam expresses her wish to withdraw her
challenge. But Karan is now more determined to
face Nanda at any cost. Sarayu learns about this
confrontation and decides to reveal everything
to her brother. While he is in a jolly mood, she
confesses her love for Karan. But Nanda gets
enraged and disapproves of Karan. A depressed
Sarayu attempts suicide.
Karan learns about the suicide attempt of Sarayu
and runs to the hospital to meet her. But Nanda
confronts him again. Nanda tells Sarayu that
Karan is in love with another girl and they are
planning to marry shortly.
When Sarayu questions Karan about it, he reveals
the truth about the challenge with Sonam. Sarayu
feels betrayed. Sonam observes all this and
tells Karan that he has won the challenge, for
which her gift to him is Sarayu’s hand. What
happens next?
The problem with SHART is that the story is
difficult to absorb. Even this drawback could’ve
been overlooked had the subject been treated
with care. But in this case, the direction
leaves a lot to be desired. Neither does the
drama hold your attention after a point, nor
does the comedy appeal.
Director Poori Jagannath has handled a few
dramatic sequences well, but he ought to know
that mere remaking of a South hit is no
guarantee that the audiences in the North would
take to it as well. Anu Malik’s music is
average. Cinematography is just about okay.
Tusshar Kapoor tries hard to infuse life in his
character. Gracy Singh does her part
convincingly. Amrita Arora has her moments.
On the whole, SHART is a weak fare in all
respects. At the box-office, its survival seems
bleak.
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