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Zinda Music
Review
Sanjay Gupta has been a pioneer when it comes to
a different style of storytelling by means of
bringing together style and content. Last two
releases of Gupta also boasted of some great
music [Kaante and Musafir] and one
expects nothing less from 'Zinda'. With 'Musafir',
Gupta had launched two separate versions of the
film's music - CLUB and LOUNGE. The trend
continues with 'Zinda' that again comes
in a 2 CD pack. A White Feather Films
production, 'Zinda' is presented by
Sanjay Dutt and Nitin Manmohan, stars Dutt along
with John Abraham, Lara Dutta and Celina Jaitley
and has music by Vishal Shekhar, Shibani Kashyap
& Strings. Club version has music by Nikhil
Chinapa and DJ Nawed for number of tracks.
Shibani Kashyap's terrific 'Zinda Hoon Main'
appears in three versions - 'Delirious Dance
Club', 'Fun Da Mental mix' and a regular
'Lounge' version. Virag Mishra's lyrics are out
of the ordinary and credit should go to
composers Shibani Kashyap, Nikhil Chinapa and DJ
Naved for coming up with a delicious helping
that makes you sway to its beats at any given
moment. Music arrangement is top class, the
western setting of the song could challenge any
international MTV production, Lara Dutta in her
Spanish looks hasn't looked more gorgeous ever
while Shibani as a singer tells a tale through
such a wonderful rendition that you just can't
help setting the number in a repeat mode while
on a long drive at a full throttle. The number
should rock the charts in days to some and
should grace the dance floors across the
country.
'Fun Da Mental mix' has the same pace as
far as singing is concerned but it is the remix
by Julius Packiam and Jayant Luthra that gives 'Zinda
Hoon Main' a different feel to it. The basic
feel of the track still remains same and conveys
a lot about the basic theme of the movie that is
about a man's basic question around his very
survival. In contrast, as soon as the lounge
version of the song begins, you know that
there is something intriguing about the setting
of the movie.
The version becomes much slower with limited
arrangements to give Shibani an open stage to
display her singing prowess once over again.
There is some classical aspect too added on to
this version that makes one hear the number even
closely. Unlike some of the other remixes in the
recent albums where just a few beats are
added/knocked off here and there, in the case of
'Zinda Hoon Main' it is apparent that a lot of
hard work has gone in to come up with three
entirely different versions.
Next comes 'Yeh Hai Meri Kahani' that
features in two versions – lounge and
club that is called as a 'K Rap' mix.
Sung and composed by Pakistani band 'Strings',
'Yeh Hai Meri Kahani' is written by Anwar
Maqsood with the lounge version also featuring
Sanjay Dutt and John Abraham. Just like the
opening track 'Zinda Hoon Main', this
track too has its powerful lyrics as its
mainstay. It is not difficult to compose a song
by putting in some funky arrangements to enhance
its appeal but it is the lyrics that actually
decide [in most instances] the sustaining power
of a track.
In the songs of 'Zinda' so far, it is in
reality the lyrics that make the songs such an
enjoyable hearing that you just can't help but
admire the final product. With a core Pakistani
pop feel to it, 'Yeh Hai Meri Kahani'
should work for a quite some time to come,
irrespective of the movie's fate at the box
office. If one has to choose between the lounge
and the club version for this track, one would
opt for the former due to its soft'n'haunting
feel.
Another number composed by Strings that follows
next is 'Har Saans' that is written by
Anwar Maqsood and sung by Krishna who had also
sung 'Zindagi Mein Koyi Kabhi Aaye Na Rabba'
in Gupta's last 'Musafir'. The song is
about a man regretting the presence of someone
in his life who has got him off track when he
was just on his way to getting back to normalcy.
A theme song that may appear in the background
score of the movie, this 'sufi' number is sung
brilliantly by Krishna. And yes, the power of
lyrics continues to dominate the scene even in
the case of 'Har Saans'. With additional
music by Kinky Roland, things become hardcore
techno in the 'Black Mamba mix' that has
a lot of 'Mambo-Jumbo' influence to it.
Obviously foot tapping and more suited for that
'club effect', it rocks all over again.
Vinod Rathod is known for singing
fun-on-the-street-kind of numbers but there is a
pleasant shift in 'Maula' where he turns
absolutely sober for a song about pain and
loneliness. Written by Vishal, it has music by
Nikhil Chinapa and DJ Nawed but unlike the songs
before it, this one is meant to be heard in
isolation with great concentration without
bothering to hop on to the dance floors. In the
song an apparently disturbed man is shown to be
requesting GOD to protect him and take care of
him. Its club version comes as 'State Of
Grace Mix' that is in fact like any other
remix, with just an added beat and an instrument
here or there. And no, for a change this club
version doesn't really entice you to wear your
dancing shoes. But yes, it is still a good
listen nevertheless.
One can find himself dancing lightly to the
beats of delightful 'Kya Main Zinda Hoon'
that is sung and composed by Shibani Kashyap
with Sanjay Gupta himself picking up the pen to
write down the track. Just like numerous
soundtracks from Hollywood movies, 'Zinda'
too has each of the tracks revolving around the
movie's theme i.e. essence of living and 'Kya
Main Zinda Hoon' too is in the same mode.
Shibani does well wonderfully once again and it
is good to hear a new singer coming behind the
kind of tracks that are straight from the
territory of Sunidhi Chauhan. Welcome Shibani!
Male version of 'Kya Main Zinda Hoon'
comes as 'Chal Rahi Hai Saanse' by
Kailash Kher where things get much more serious
and thought provoking. While the lyrics are
same, it is music by Nikhil Chianapa and DJ
Nawed that turns around the song 360 degrees by
making it sound extremely painful and heart
wrenching. Gupta has been known for his
marvelous shot-taking; now witness him in his
lyricist avtaar where he does well too.
While all songs so far had been in multiple
versions to suit the club and the lounge taste,
there is 'Kabhi Muskura De' that appears
in only one version. Vishal Shekhar have only
this song to their credit in 'Zinda'. The
song brings to fore Sanjay Dutt once again after
'Maya' [Home Delivery] and he
shows a remarkable shift in his entire rendition
style. The song is again about attitude [as like
most of his earlier songs] and narrates his
ability to take over the challenge in any
format, come what may. Written by Vishal, the
song appears in the lounge version and would be
heard more often as days progress due to its
haunting feel.
'Zinda' is more of a theme album [first
of its kinds for a mainstream commercial movie]
rather than a conventional Bollywood score and
works quite well for its genre. For the lovers
of some genuinely new sound and different music,
it is a welcome change to hear 'Zinda'.
After 'Kaante' and 'Musafir', 'Zinda'
is bound to be another musical success for
Sanjay Gupta.
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